STUDIO

YAMAHA HS8 

ROLAND MA-8

MONITORING
RECORDING

THIS IS THE FIRST AND IN MY OPINION MOST IMPORTANT STEP IN CAPTURING YOUR AUDIO VISION. MICROPHONE CHOICE , PLACEMENT, PROPER TUNING  AND PREAMP SELECTIONS ARE KEY ELEMENTS TO ACHIEVING GOOD CLEAN TRACKS, BEING WELL REHEARSED IS A PLUS!!

MIXING

THE SECOND PHASE YOUR RECORDED TRACKS ARE PROCESSED TO FURTHER ENHANCE THE NATURAL SOUND QUALITIES AND TO SHAPE THE MIX FOR MASTERING. THE MAJORITY OF THE EDITING AND EFFECTS ARE DONE AT THIS STAGE.

HARDWARE

SHADOW HILLS INDUSTRIES MONO GAMMA MIC PRE

SMART RESEARCH CL1A STEREO COMPRESSOR

A-DESIGN PULL-TEC EQS

FOCUSRITE DISCRETE MIC PRE

UA UNISON MIC PRE

UNIVERSAL AUDIO APOLLO QUAD DIGITAL I.O.

ALLEN & HEATH GL32 ANALOG CONSOLE

MASTERING

This is the last step, the clear coat on the nail polish if you will      A mastering engineer’s job is to make a musical project sound better and to make it viable for commercial release. On the most basic level, the process involves balancing the many different qualities of any project — EQ, compression, volume, editing, flow, and even album sequence. All of those elements come into play when you’re working to create the bigger-picture. With so many different audio sources these days you want to make sure your music is represented correctly on all formats.

GEAR

YAMAHA, LUDWIG, INSTANBUL, SABIAN,GK, AMPEG, MARSHALL, LINE SIX, MESA BOOGIE, FENDER,CARVIN, GIBSON, ROAD HOG, MONSTER CABLE, YAMAHA & DEAN ACOUSTICS, REPUBLIC, ELECTRO HARMONIX, MXR, DUNLOP, ERNIE BALL, BOSS.

SHURE, ROYER, SeELETRONICS, AUDIX, SENNHEISER, YAMAHA, BLUE, MXL, CAD.

LOTS OF PERCUSSION AND TONES OF VR INSTRUMENTS AND SAMPLE PATCHES.

GRADO LABS PRESTIGE SR125

SENNHEISER HD 525

SONEY MDR-CD999

EAR BUDS

E

CANS
 
SOFTWARE

PRO TOOLS 12.4

ADOBE MASTER COLLECTION

UNIVERSAL AUDIO, DIGI DESIGHN AND WAVES PLUGINS